Sept 12th – Every last, damned, loving word
We are keeping vigil with our father, my sister and I. It was not a plan, it simply came about. It is already after 10pm and the hospital ward is gone quiet.
We are a ridiculous threesome in our own way. I’m on a mattress on one side of the bed wearing a tee-shirt with the word Carmen, and a rose, emblazoned on it. It is a free promotional tee-shirt, faded from the wash. Patricia is on a pull-out chair on the other side, in a track-suit.
‘Is that Carmen-the-wine-brand?’, she enquires gamely, as I reveal my night attire for the first time. I chuckle, defending my graceful choice in cheap clothing. ‘Carmen-the-opera. There’s the difference between you and me’. We laugh together.
Dad sleeps between us. We are tuned to his breathing, his chest rising and falling. It is not fully rhythmic. There are moments of sharpness and urgency, yet there is still strength in the lungs of this big, proud man.
Time passes.
Patricia has dozed momentarily, and she joins in the sleeping percussion. For a moment I am transfixed, my ears held high from a makeshift pillow, seeking to distinguish between their breaths. They seem to have merged, finding a complementary rhythm. Then suddenly, she comes back, and his laboured breathing continues, alone.
For some time now, I house a fervent hope that our Dad can still hear and understand us – our words, our music, even our breathing. I have come to realise that I need to believe this, and see it as a choice that I am free to make, despite the dwindling evidence.
Earlier, Patricia and I decide to sing him songs before turning in.
To an uninvited guest it holds little promise, this ragbag concert for the half-dead. We are unconcerned by critics, however. Tonight’s special audience-of-one has willing and loving performers, despite their rather drowsy acquaintance with the lyrics.
The bedside gala starts with my sister’s choice, The Spinning Wheel. Mellow the moonlight… We move to Italy and Santa Lucia. Then to the church with Ave Maria. We are both standing, holding his hands as we ply our motley trade. We end with Danny Boy.
To Dad’s ears, I figure the performance is a smashing success. And yet, he does not acknowledge it. He cannot. He lies there, breathing.
The hospital room has become a family gallery. Pictures of his thirteen grandkids abound. Pictures of us, his seven children, smile out from silver frames.
There is one special photograph that has me rapt. It is already highly familiar, it being an iconic image in our lives.
There they are, our Mum and Dad, on their wedding day. They stand at the exit of the church in Cork, smiling in complete happiness. Their hands are tightly bound, Dad arching in somewhat, towards his new wife. Mum is a picture of early 1960′s elegance and beauty. His frame and features are lean and angular.
My eyes examine the photograph, searching out new detail. Much has changed in these fifty-one years. I look to the picture, and then to his profile in the hospital bed. Back and forth I stare, in a kind of melancholic trance, thinking of the things gained and lost, and this man we are losing.
And then, I see them; unchanged in over five decades. There they are, proud and unmistakable, in the photo and outlined on his pillow. Dad’s ears – channels of musings and of music – are mysteriously and inexplicably exactly the same. They are precisely as they were on his wedding day. Unbowed by Time!
I am strangely comforted. If his ears are unchanged, I consider, without regard to any particular logic, then maybe his hearing too. Maybe it is not just my wishful thinking. Perhaps he has indeed heard every last, damned, loving word.











